The Eyes Are the Best Part is one of those books that doesn’t fully reveal itself until the very end… and when it does? It locks in.
I’m talking about that kind of ending that takes your “this is good” rating and flips it into a full-on 5-star experience.
Starts Quiet… Then Slowly Unravels
At first, I wasn’t completely sold. It felt like a solid 3.5, maybe a 4. The story builds in a way that almost lulls you into thinking you know where it’s going.
But that’s the trick.
Because what’s really happening is a slow, deliberate descent (or what looks like descent because one can argue hat is actually clarity) into something much sharper, much more intentional.
Is It Insanity… or Clarity?
What hit me the most is how the main character’s journey can be read in two ways:
- Is she losing herself?
- Or is she finally seeing things exactly as they are?
Because once she starts clocking the behavior around her, there’s no going back.
The men in this story? Not subtle. Not redeemable. Just different flavors of the same problem:
- The predatory older man taking advantage of her mother’s vulnerability
- The “nice guy” classmate performing feminism while quietly trying to control her
And that second one? That reveal hit. Because we’ve all seen that type before.
Feminine Rage Meets Body Horror
This is where the book really shines.
It’s not just horror for shock value. It’s horror rooted in lived experience, power dynamics, and suppressed rage.
The protagonist isn’t just reacting, she’s processing. And what she comes to realize is deeply unsettling:
There’s no clean escape from systems that were designed to trap you.
So what does she do?
She stops trying to play by the rules.
That Ending? Calculated. Cold. Brilliant.
Let’s talk about the moment that changed everything for me.
The way she outmaneuvers the situation, making sure she doesn’t get caught, redirecting blame, and turning the narrative back onto the men who underestimated her?
Yeah. That’s where the book earns its stripes.
It’s not messy revenge. It’s strategic survival.
And honestly? I respect it.
My Take (and I’m standing on it)
This is where I’m gonna push back just a little—not on your reaction, because I get it—but on the idea that the only way out is matching violence with violence.
The book flirts with that idea hard. It lets you sit in that feeling. It makes it tempting.
But what I think it’s really doing is showing how far someone can be pushed when they feel like there are no other options.
That’s what makes it unsettling.
Not just what she does but how understandable it feels when she does it.
Final Thoughts
The Eyes Are the Best Part is:
- A slow-burn psychological horror
- A sharp critique of performative allyship and predatory behavior
- A deeply uncomfortable (but satisfying) exploration of feminine rage
It might take its time getting there, but when it lands, it lands hard.
And if you’re anything like me, you’ll still be thinking about that ending days later.



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